He gets up and says to the camera that maybe Byung-hoon needs to lose her in order to come to his senses… and then the camera screen blacks out and Min-young screams. Byung-hoon panics and runs out of the van to charge in…. Oh cute, they out-Cyranoed Cyrano. Byung-hoon finds them standing there perfectly fine, and Seung-pyo says that he was all set to go along with the plan if Min-young seemed at all partial to him. He tells Byung-hoon to be honest with her directly, and not hide behind his mission. And if he really wishes for her happiness, he ought to consider what she wants.
Then he makes his cool not-a-hero exit. She pesters him for something , some kind of romantic declaration that she can remember forever. So Byung-hoon leans in to whisper into her ear, and whatever he says makes her glow and throw her arms around him. Aww, and then the goons chime in with their two cents, by skulking close with their huge cloud of balloons, which they release behind the hugging couple. Min-young prods him to keep it going, arguing that they do good work. She can be his assistant, he says, and then bans her from his office for the next month while he works.
Pouting, Min-young heads out with the files to be trashed and pauses to read the bulletin board with all their mission plans on it. He makes her promise not to disappear again, and hands her theater tickets… and her pink bike helmet. The show is, appropriately, Cyrano de Bergerac. Both Seung-pyo and Yi-seol arrive on opening day, as do Moo-jin and Hye-ri. The two goons have roles in the play, which is sweet given how much they enjoyed acting during the missions.
He wonders where Min-young went…. And at Cyrano Agency, I made my universe, my romance. Too much whiplash, going from upbeat romance to crime thriller in one forty-five-minute chunk. What the finale does that Episode 15 faltered at is wrap up the thematic elements and resolve our character arcs in a neat and satisfying way without sacrificing tone.
But thank goodness everybody else has better plans, and they conspire against the mastermind.
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Overall, Dating Agency Cyrano was a really refreshing summer romance that always breezed by in a flash and was super easy to watch. It felt perfect for the moment and was just the thing to mitigate the stress of a packed season, drama- and life-wise. He can get dumped away into the Never Happened Nope file.
Your email address will not be published. I definitely enjoyed the last half of episode I was kind of pissed off at the first half, though, so, I wasn't able to fully enjoy the last half. Maybe I'll re-watch the episode starting from the hospital scene. Or noticing that someone is stabbed, but not doing anything about it besides comforting a girl nor calling Just the outride stupidity in those scenes made me not want to watch the rest.
I'm glad I DID watch the rest, but it was so aggravating to watch the first part of the episode When Master was saying the words fed to him, did he actually change any of them from what Byung Hoon was saying?
In the dramafever English translations, it made it seem like he was modifying them a little bit in parts, and then when Byung Hoon gets so into the emotion and says Gong Stone, and then Master pauses and repeats THAT SPEECH word-for-word, it made it obvious that Master knew exactly what he was doing in repeating that word-for-word.
I don't think Master changed the speech. I was confused with that too Also the Master guy was awesome. My favorite 2nd lead ever. He was not perfect I liked this drama feel: He made Master recite lines for the confession but lines after lines, he thought about his own feelings and so Master's confession was more like Byung Hoon's confession to his love for Min Young.
When he said "Gong Stone" at the last line, he was caught up by his own feelings and didn't realize it but Master did and decided to repeat Gong Stone because he know that Min Young will understand indirectly that Byung Hoon was giving instructions to Master.
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In a way, Master made Byung Hoon's confession. Master even said that he wasn't Byung Hoon's avatar lol. In the original play, it pretty much follows what actually happened between Byung-hoon, Do-il, and Yi-seol Cyrano helped his friend woo the woman he loved, but after realizing he loves her himself, he finally decides to confess; however, his friend dies suddenly, and he loses the chance to tell her. It's not actually a romance with a happy ending like many movie adaptations have you believe; if anything it's a tragedy disguised as a comedy. But true to form, Byung-hoon intends to be Cyrano right to the end and decides to give up his love a second time.
Master, however, is not having any of that. Rather than continue on with the charade, he graciously steps aside after hearing Byung-hoon's unintentional confession calling her Gong Stone shows he was speaking from his heart, not simply feeding lines to Seung-pyo.
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I'm not entirely sure if that was his intention all along, but either way, Master realizes he's lost and purposely repeats "Gong Stone" so she'll know who the real wooer is Cyrano. Thus, Cyrano's tragic fate is changed, the theater is finally reopened, and everyone is ridiculously happy. I understand, of course, that it's different for everyone but I don't consider Seung-pyo's actions to be outright stupidity, mainly because I would ALSO have paid more attention to confirming the person I love is safe and a-okay rather than be hyper-vigilant of all other possible dangers that could happen to us.
It's an emotionally-driven response and completely irrational, but it's not stupid. It's a logical reaction to have given the situation after all and entirely human. And unless Seung-pyo's gangster background made him completely clinical, it really has no bearing on how he would have reacted in that situation. SP's a pretty emotional guy from what we've been shown and that was a completely emotional response. It's pretty much in-character of him to do so. Even taking into account emotional caring about the well-being of someone else, from a fight-or-flight standpoint, there's nothing that would make me think anyone would go from fighting someone who was a threat to suddenly "Hey, I'm going to ignore you completely, and present my back to someone who I was just fighting with" just because I hear someone who I love say something and I thought she was in danger previously.
And for a gangster, or any fighter really, you HAVE to detach from emotions to survive. It's very, very dangerous to be doing things emotionally as it'll often cloud your judgment at key important moments. And with a gangster, doubly so, since you'll often be doing things which you might have emotional issues with threatening nice people, hurting other nice people, etc.
Basically, it's really, really, really unrealistic to believe someone could be that bad at surviving and yet supposedly be a bad ass, too. Heck, it's really hard for me to believe that of a normal person, also. I have to agree that some parts were odd. The most odd to me was the one you mentioned, "Or noticing that someone is stabbed, but not doing anything about it besides comforting a girl nor calling But, overall I had a smile on my face from start to end I was the exact same way.
Sure, saving Min-young was important, but there were TWO people there one of which was doing nothing but staying close to comfort her. Instead of watching someone slowly bleed to death in front of them, you'd think Byung-hoon could've picked up a phone to call or the bomb squad or something, lol.
What a satisfying ending to such a satisfying drama! I love the recaps. Thanks for recapping this series! I really enjoyed it, and it was a nice breezy watch with lots of cute in it. The detour to terror town was a little annoying, but I went with it, because it did have some nice character points in it. I hadn't connected Byung Hoon's not driving at all with trauma from his best friend dying in a car accident, and him overcoming that I thought was nice. The whole Seung Pyo lying on the floor bleeding without anyone administering emergency care was silly, and I think that they could have had Arang there somehow for that role, or at least BH checking on him.
I get that Moo Jin was a little bit busy trying to immediately disarm a bomb, and that BH was trying to keep MY calm, but he totally could have spared a moment for SP, even if it was shown by SP leaning up against a wall or something when the bomb was diffused. I was sincerely scared after ep. CDA reminded me of how I felt watching Full House 2 second male lead noble idiocy, a choose your own tragedy variation, male lead who would not affirm his own feelings toward female lead, and satisfactory but not over the top ending.
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Yep, it was a fun summer rom com of the lighthearted sort. Moo jin all the way - yo, mysterious man of the highest good manners and sincere but understated and hot passion! Well, Javabeans, you've summed up pretty much how I felt after the finale. The show was light, breezy, and thankfully short.
Dating Agency Cyrano: Episode 13 » Dramabeans Korean drama recaps
It was the first show in the Flower Boy series that I've watched and it was fun. I wish it had more depth than just skimming the surface of things but it's alright. I don't know if I missed it, but the show never dug into the Hawaiian Shirt guy's past, right? I mean, what exactly did the Agency guys do that made him such a psycho?
How did Hye Ri know him before? Was it like a sudden meeting and they discovered that both of them felt hurt by the Agency? Also, what about Master's sour feelings towards Byung-hoon? Didn't Master hold him responsible for his brother's death? That stuff didn't even get cleared up between them since Byung-hoon implied that it wasn't his fault. I feel a bit cheated by these loose ends since the show made such a big deal of them before. Yeah, a lot of unanswered questions there, but I guess Master had a change of heart about Byung-hoon due to two things: So in the end, Master ends up with a big case of noble idiocy if you consider it idiocy to hand over the girl you got stabbed for to the man she really loves.
Eh, it wasn't my favorite ending. The first half of this series was soooo strong it set my hopes too high. I really loved how the ending reverses the traditional kdrama cliche of "girl getting surprised by kiss and doesnt know what to do".. Cyrano, overall, was a top notch drama.
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That dramatic detour in episode 15 was kinda out there but I felt that it was needed to convey the reality of their profession and their clients' romances. Its not always idealistic, ending in a happily ever after. As much as the agency is able to bring people together, life does go on, and circumstances kicks reality back in. What I love the most is how the female protagonist was written.